An elected volunteer Board of Directors (BOD) oversees the operation of the PNHB.
Without the BOD the bands could not function.
Their many responsibilities include hiring our conductors and coaches, renting rehearsal space, organising performances, insurance, organising social events, setting fees, publicity, controlling our assets (especially instruments and music), and much much more.
A message from Gord Thompson
If you have feedback or comments please reply to firstname.lastname@example.org
As I conduct New Horizons Bands, and observe my colleagues doing the same, it has been evident that there are several musical instructions being given repeatedly that ought to be learned and put into practice without constant reminders. Here's a summary and brief description:
Your very first lesson focused on sitting position, embouchure and blowing enough air into the instrument to produce a good tone. Many players forget some of these fundamentals – stand may be too low resulting in a slouched position, and looking down instead of at the level to see the conductor; not taking enough air in to support the tone from the diaphragm; pinching to reach higher notes when a stronger embouchure is needed. I recommend increasing your range by only one semitone from your comfort level and not trying to play high notes that sound poor. Good equipment is important, especially a proper reed and mouthpiece.
Music becomes more enjoyable for the listener when played with the intended expression. The composers and arrangers identify volume levels for good reason, so always observe and practice volume control, expression and phrasing, even when practicing alone. Lyrical passages should be “sung” with a suitable shape and style.
If you don't use a metronome, keep one ticking in your mind. Account for every beat when interpretting rhythms; pretend someone is dancing to your music. Usually the first beat is strong, and it sets up the rhythm of the following phrase. Recognize how pickup notes lead to the strong beats. If you get off the beat, don't keep going without listening – your part must fit with the other parts, so accurate counting requires as much listening as reading notes and rests. Play with confidence, focus and precision. Any amount of practice will improve the quality of your music. Don't be afraid to make mistakes in practice situations, and do enough practice to play pieces to the best of your ability well before concert time. We have 5 levels of band difficulty, and you should be in the one that provides a challenge, but where you are able to be reasonably successful.
Reading music requires an understanding of a new alphabet with strange symbols. Studying and interpreting various rhythmic structures is an essential part of learning music. Listen to quality musical performances to gain an understanding of how your music may sound eventually. Performing well is what makes band music fun, meaning gratifying. And putting these suggestions into practice will save the constant reminders from your conductors. I hope you have been patting your back as you read these comments, but there may be a few suggestions that will help your musicianship, and reduce the number of times your conductors repeat things like, “You missed that sfzp!”
Chair – John Topic (Odyssey - French Horn)
Vice-Chair – Cathy Brown-Payne (Allegro - trumpet and Skylark - alto sax)
Past Chair – Lorna Verhulst (Allegro and Odyssey - trumpet)
Secretary – Margaret Seabrook(Allegro - clarinet)
Social Committee – Margaret Seabrook
Fundraising and Grants – Al Brunger
Media Relations / Community Relations – Margaret Seabrook and Lorna Devan
Property Committee – Margaret Allan
Policies & Procedures – Brenda Bock
Green Band Manager – Cliff Ballantyne
Action Plan – Survey Team – Bob Orrett , Cliff Ballantyne, and Lorna Devan
Dialogue Committee – John Topic, Cathy Brown-Payne, Lorna Verhulst, Al Brunger
Treasurer (Ex-officio) - Roger Bresee (Allegro - tuba)
Concert Managers: Renee Paul, Norma White
Librarian: Meeta Ellison
Historian: Debbie Duff
Communications Manager: James Burrett
Cliff Ballantyne (Green),
Lorne Read (Jubilee),
Theresa Topic (Allegro),
Cathy Breedon (Skylark),
Heather Thompson (Odyssey)
All member must respect these policies
PNHB Invoice Template.pdf
Financial Policy 2018.pdf
Membership Policy Nov 2017 with Appendices-1.pdf
PNHB Community Respect Policy Jan 11 2017 .pdf
PNHB Harassment-Sexual Harassment Policy Jan 2017.pdf
Property & Rental Policy.pdf
PNHB Procedure For Claiming Expenses.pdf
PNHB Small Ensemble Guideline.pdf
PNHB Small Ensemble Policy.pdf
PNHB Guideline for Concert Beneficiary Selection.pdf
PNHB-Investments Policy r2.pdf
PNHB Succession Procedure.pdf
Publicity Recruitment Committee.pdf